E-Book, Englisch, 216 Seiten, Web PDF
Capel Newnes Audio and Hi-Fi Engineer's Pocket Book
3. Auflage 2016
ISBN: 978-1-4832-9211-3
Verlag: Elsevier Science & Techn.
Format: PDF
Kopierschutz: 1 - PDF Watermark
E-Book, Englisch, 216 Seiten, Web PDF
            ISBN: 978-1-4832-9211-3 
            Verlag: Elsevier Science & Techn.
            
 Format: PDF
    Kopierschutz: 1 - PDF Watermark
This is a concise collection of practical and relevant data for anyone working on, or interested in, sound systems. Since the second edition, the Sony Mini Disc has arrived, interest has grown in valve amplifiers and vintage radios, and new safetyregulations are in force for public address systems; all of these are covered in this edition. Also included are further notes on the crossover network, and the latest exciting developments in surround sound.The number of outdoor concerts is growing and place particular demands on sound systems, including the need for reinforcement. A new section gives basic tips. Surround sound developments are described in a further new section, outlining previous systems and how they worked, along with an account of how the ear actually distinguishes sound sources. All of the new material complements the wide coverage of the previous edition make this the most comprehensive little guide to audio and hi-fi.
Autoren/Hrsg.
Weitere Infos & Material
1;Front Cover;1
2;Audio & Hi-Fi Engineer's Pocket Book;4
3;Copyright Page ;5
4;Table of Contents;6
5;Preface to the third edition;10
6;Chapter 1. Sound and acoustics;12
6.1;Human hearing;12
6.2;Sound sources;17
6.3;Measuring sound;22
6.4;Sound propagation;27
6.5;Room and hall acoustics;38
6.6;Sound insulation;44
7;Chapter 2. Microphones;50
7.1;Transducers;50
7.2;Acoustic characteristics;55
7.3;Special types of microphone;58
7.4;Boundary microphones;61
7.5;Microphones in the sound field;66
7.6;Microphone electrical parameters;69
7.7;Microphone applications;73
8;Chapter 3. The gramophone;75
8.1;Studio techniques;75
8.2;Disc manufacture;79
8.3;Reproducing styli;80
8.4;Stylus tracking;83
8.5;Pickup cartridges;86
8.6;Pickup arms;89
8.7;Turntables;92
9;Chapter 4. Compact discs;95
9.1;Principles;95
9.2;Compact disc format;100
9.3;The CD player;105
9.4;Three-beam system;105
9.5;Single-beam systems;109
9.6;Decoding the signal;112
9.7;Compact disc manufacture;116
9.8;Compact disc faults;117
9.9;The Sony Mini Disc;119
10;Chapter 5. Tape recording;122
10.1;Magnetism;122
10.2;Magnetic recording;125
10.3;Record/playback heads;130
10.4;Noise reduction;133
10.5;Head circuits;139
10.6;Head materials;142
10.7;Table of head materials and their properties;144
10.8;Erasing;144
10.9;Effect of oxide deposits;144
10.10;Head adjustments/maintenance;145
10.11;Tape transport;147
10.12;Motors and speed control;150
10.13;Hi-fi sound with video;153
10.14;Digital tape recording;154
10.15;Digital tape formats;155
10.16;Philips digital compact cassette;161
10.17;Recording tape;163
10.18;Tape manufacture;166
10.19;Musicassette manufacture;169
10.20;Tape parameters;169
10.21;Tape groups;171
10.22;Open-reel recorders;172
10.23;The compact cassette;173
11;Chapter 6. High-quality radio;175
11.1;Receiver principles;175
11.2;Stereo broadcasting;179
11.3;Stereo decoding;180
11.4;BBC stereo test transmissions;182
11.5;Stereo test transmissions;182
11.6;Interference;183
11.7;Alignment;184
11.8;F.m. tuner parameters;186
11.9;F.m. aerials;189
12;Chapter 7. Amplifiers;192
12.1;Thermionic valves;192
12.2;Valve circuits;195
12.3;Servicing valve amplifiers;197
12.4;Vintage radios;203
12.5;Audio transistors;209
12.6;Transistor characteristics;212
12.7;Basic transistor circuit features;214
12.8;Amplifier parameters;226
12.9;Table of harmonics and their musical equivalents based on a fundamental of 220 Hz;227
13;Chapter 8. Loudspeakers;229
13.1;The driver;229
13.2;Some typical speaker coil temperatures with different programmes;235
13.3;Thiele-Small parameters;236
13.4;Enclosures;237
13.5;Baffle/doublet;237
13.6;Infinite baffle;238
13.7;Reflex enclosure;242
13.8;The horn;245
13.9;Labyrinth/transmission line;246
13.10;Column/line source;248
13.11;Loudspeaker absorbents;249
13.12;Electrostatic speakers;251
13.13;Loudspeakers for electronic instruments;254
13.14;Unconventional speakers;259
13.15;Crossover networks;261
13.16;Single full-range drivers;264
14;Chapter 9. Surround sound and stereo;267
14.1;Direction location;267
14.2;Matrix four-channel systems;269
15;Chapter 10. Public address;275
15.1;Objectives;275
15.2;Loudspeaker distribution;276
15.3;Table of transformer ratios;277
15.4;Table of amplifier output impedances at various powers;277
15.5;Avoiding feedback;277
15.6;Delay lines;281
15.7;Use of delay lines;282
15.8;Ceiling speaker mounting;283
15.9;LISCA (line-source ceiling array);285
15.10;The second line-source;287
15.11;Mixers;288
15.12;Outdoor classical concerts;290
15.13;Microphones;293
15.14;Induction loops;294
15.15;P.a. system problems;297
15.16;Public-address safety regulations;301
16;Chapter 11. Facts and formulae;303
16.1;Resistance;303
16.2;Reactance;303
16.3;Impedance;303
16.4;Resonance (parallel);304
16.5;Adding two AC voltages or currents;304
16.6;Q-factor;305
16.7;Attenuators and matching pads;306
16.8;Filters;309
16.9;Attenuation beyond cut-off drops to the levels below;310
16.10;Test equipment;312
16.11;Oscilloscope traces;315
16.12;Power circuits;318
17;Index;322





