Chen Performing the Socialist State

Modern Chinese Theater and Film Culture
1. Auflage 2023
ISBN: 978-0-231-55233-2
Verlag: De Gruyter
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 384 Seiten

Xiaomei Chen offers a new account of the origins, evolution, and legacies of key trends in twentieth-century Chinese theater. Instead of seeing the Republican, high socialist, and postsocialist periods as radically distinct, she identifies key continuities in theatrical practices and shared aspirations for the social role of performance.

Autoren/Hrsg.

Chen, Xiaomei

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
• Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Ost- & Südostasiatische Literatur
• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein

Inhaltsverzeichnis

Introduction
Part I: Theater Founding Fathers: Liberal Aesthetics in the Republican Period
1. Tian Han and His Legacy: Proletarian Modernism and “The Theater of Dramatists”
2. Hong Shen and His Discontent: Canonicity Through Theory and Practice
3. Ouyang Yuqian and His Theater Dream: Cross-Dressing, Drama Schools, and Theater Reforms
Part II: Chinese Socialist Theater and Its Afterlife: Shifting “Classics” and Their Place in Cultural Transformation
4. Is Socialism Good? Satirical Comedy and the Gray Theater of the 1950s
5. The Tales of the Wives: The Mao-Era Metamorphosis of the “Red Classics” and Their Postsocialist Reinscriptions
6. “The Song of the Geologists”: Remembering Scientists Onstage
7. Monumental Theater: Soldier Plays and History Plays
8. Singing “The Internationale”: One Hundred Years of Sonic Theater
Notes
Bibliography
Index

Über Autor(innen)

Chen Xiaomei:
Xiaomei Chen (Indiana PhD) is professor of Chinese literature in the Department of East Asian Languages and Cultures at the University of California, Davis. She is the author of Staging Chinese Revolution: Theater, Film and the Afterlives of Propaganda (CUP, 2016); Occidentalism: A Theory of Counter-Discourse in Post-Mao China (Oxford, 1995; second and expanded edition, 2002), Acting the Right Part: Political Theater and Popular Drama in Contemporary China (Hawai'i, 2002); and editor of Reading the Right Text (Hawai'i, 2003) and The Columbia Anthology of Modern Chinese Drama (CUP, 2010; abridged edition 2014).Xiaomei Chen is Distinguished Professor of Chinese Literature at the University of California, Davis. She is the author of Staging Chinese Revolution: Theater, Film and the Afterlives of Propaganda (Columbia, 2016); Acting the Right Part: Political Theater and Popular Drama in Contemporary China (2002); and Occidentalism: A Theory of Counter-Discourse in Post-Mao China (second and expanded edition, 2002), as well as editor of The Columbia Anthology of Modern Chinese Drama (Columbia, 2010; abridged edition, 2014), among other publications. Chen is also coeditor of Rethinking Chinese Socialist Theaters of Reform: Performance Practice and Debate in the Mao Era (2021), which received the Excellence in Editing Award from the Association for Theatre in Higher Education.