Buch, Englisch, Band 9110, 392 Seiten, Paperback, Format (B × H): 155 mm x 235 mm, Gewicht: 6146 g
5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings
Buch, Englisch, Band 9110, 392 Seiten, Paperback, Format (B × H): 155 mm x 235 mm, Gewicht: 6146 g
Reihe: Lecture Notes in Artificial Intelligence
ISBN: 978-3-319-20602-8
Verlag: Springer International Publishing
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
- Mathematik | Informatik EDV | Informatik Angewandte Informatik Computeranwendungen in Geistes- und Sozialwissenschaften
- Mathematik | Informatik Mathematik Numerik und Wissenschaftliches Rechnen Angewandte Mathematik, Mathematische Modelle
Weitere Infos & Material
A Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting.- Renotation from Optical Music Recognition.- Foundations for Reliable and Flexible Interactive Multimedia Scores.- Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation.- Describing Global Musical Structures by Integer Programming on Musical Patterns.- Improved Iterative Random Walk for Four-Part Harmonization.- Location Constraints for Repetition-Based Segmentation of Melodies.- Modeling Musical Structure with Parametric Grammars.- Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters.- Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals.- A Corpus-Sensitive Algorithm for Automated Tonal Analysis.- Finding Optimal Triadic Transformational Spaces with Dijkstra’s Shortest Path Algorithm.- A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation.- Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality.- Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm.- Logistic Modeling of Note Transitions.- Evaluating Singer Consistency and Uniqueness in Vocal Performances.- A Change-Point Approach Towards Representing Musical Dynamics.- Structural Similarity Based on Time-Span Sub-Trees.- Cross Entropy as a Measure of Musical Contrast.- Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming.- Applications of DFT to the Theory of Twentieth-Century Harmony.- Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute.- A Statistical Approach to the Global Structure of John Cage’s Number Piece Five5.- Exact Cover Problem in Milton Babbitt’s All-Partition Array.- Constructing Geometrical Spaces from Acoustical Representations.- Geometry, Iterated Quantization and Filtered Voice-Leading Spaces.- Using Fundamental Groups and Groupoids of ChordSpaces to Model Voice Leading.- All-Interval Structures.- Unifying Tone System Definitions: Ordering Chromas.- A Categorical Generalization of Klumpenhouwer Networks.- The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis: Using Polarization and Tonal Regions in a Dynamic Environment.- Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines.- ¿El Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity.- Can a Musical Scale Have 14 Generators?.- On the Step-Patterns of Generated Scales That are Not Well-Formed.- Triads as Modes within Scales as Modes.- Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature.