D’Arcens / Unknown / Ríkharðsdóttir Medieval literary voices

Embodiment, materiality and performance
1. Auflage 2022
ISBN: 978-1-5261-4950-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: PC/MAC/eReader/Tablet

E-Book, Englisch, 312 Seiten

Reihe: Manchester Medieval Literature and Culture

Medieval literary voices explores literary voice in relation to its authorial, scribal and socio-political settings. It reveals how literary voices evoke voices lurking beyond the text – the absent authorial voice, the traces of scribal voices and the aural soundscape of the uttered text – and how they mediate embodied life and material presence.

Autoren/Hrsg.

Unknown,

D’Arcens, Louise

Ríkharðsdóttir, Sif

Rikharðsdottir, Sif

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Europäische Literatur
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Mittelalterliche, neuzeitliche Archäologie (Europa)
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter

Inhaltsverzeichnis

Introduction – Louise D’Arcens and Sif Rikhardsdottir
1 Articulate voices – Ruth Evans

Part I: Narrative embodiment and voicing
2 Voice of authority: Free indirect discourse in Chaucer’s General Prologue – Helen Fulton
3 Speaking in person – Fiona Somerset

Part II: Authoritative, ethical and orthodox voices
4 The body speaks in The Franklin’s Tale – Mishtooni Bose
5 The sensology of the moral conscience: William Peraldus’s ethical voices – Richard Newhauser
6 Langland parrhesiastes – Ian Cornelius

Part III: Materiality and textual voices
7 Margery Kempe, the leprous woman and the voice of St Paul – Lawrence Warner
8 Listening for the scribe: punctuation and the voicing of late medieval devotional literature – Sarah Noonan
9 Parrot poet: Humphrey Newton and Bodleian Library, MS Lat. Misc. c. 66 – Wendy Scase

Part IV: Performative voices and medieval aurality
10 Voice, materiality and history in St Erkenwald and Egils saga Skallagrímssonar – Sif Ríkharðsdóttir
11 Embodying the Mandevillean voice – Sarah Salih
12 Reconstructing Christine de Pizan’s musical voice in the twenty-first century – Louise D’Arcens

Afterword: medieval voice: a tribute to David Lawton – John M. Ganim

Bibliography
Index

Über Autor(innen)

Louise D'Arcens is Professor of English and Deputy Dean of Research and Innovation in the Faculty of Arts at Macquarie University, Sydney, Australia

Sif Rikhardsdottir is Chair and Professor of Comparative Literature and Head of the Institute for Research in Literature and the Visual Arts at the University of Iceland