Sound Signatures

Crafting Your Electronic Music Identity
1. Auflage 2025
ISBN: 978-1-032-57791-3
Verlag: Taylor & Francis Ltd

Buch, Englisch, 260 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 453 g

Sound Signatures: Crafting Your Electronic Music Identity explores ways to help electronic musicians establish their unique signature sound through new methods of sound creation and manipulation. It covers an extensive range of creative techniques for music production and sound design that might not be immediately obvious to those who are self-taught or at the beginning of their career or study programme.

Designed to provoke curiosity and foster creative thinking and experimental practice, the book spans 12 chapters covering synthesis, creative sampling, workflow techniques, vocal processing, use of noise and texture and an assortment of ways to create and manipulate sound within a musical context. The book is not software specific, focusing on underlying concepts and creative techniques that can be applied to any setup, while endorsing performance-oriented techniques in the studio to introduce new working practices. Including practical exercises to consolidate knowledge, diagrams, tips for further exploration and online audio examples, this book encourages experimentation to develop an improved personal workflow whilst building knowledge and skills in electronic music production. The chapters are complemented by interviews with leading creative music production practitioners such as Holly Herndon, Benn Jordan, Sarah Belle Reid, Amon Tobin and Robert Henke.

Sound Signatures is ideal supplementary reading for students of music production and amateur producer-fans but equally of interest to readers of all skill levels and professionals looking to hone their signature sound and develop their creative practice.

Zielgruppe

Professional Practice & Development and Undergraduate Advanced

Autoren/Hrsg.

Feldman, Nick

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikalische Akustik, Tontechnik, Musikaufnahme

Inhaltsverzeichnis

1. Production Analysis 2. Workflow 3. MIDI Composition 4. Synthesis 5. Digital Audio 6. Creative Audio Effects 7. Noise and Texture 8. Creative Dynamics 9. Vocal Technologies 10. Temporal Processing 11. Spectral Processing 12. Dub Mixing Techniques

Über Autor(innen)

Nick Feldman has produced and performed electronic music across a multitude of genres since 1998 and been teaching these subjects since 2012. He has a Masters in Audio Production from the University of Westminster and holds posts at BIMM, Guildhall School of Music and Drama and ICMP. He is director of the Crux festival and series of audiovisual performance events.