Freedman The Cambridge Companion to Alfred Hitchcock

Erscheinungsjahr 2015
ISBN: 978-1-316-31103-5
Verlag: Cambridge University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 0 Seiten

Reihe: Cambridge Companions to American Studies

Alfred Hitchcock was, despite his English origins and early career, an American master. Arriving on US shores in 1939, for the next three decades he created a series of masterpieces that redefined the nature and possibilities of cinema itself: Rebecca, Notorious, Strangers on a Train, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender and desire over his American career. This Companion explores the way in which Hitchcock was transformed by the country where he made his home and did much of his greatest work. This book will be invaluable as a guide for both fans and students of Hitchcock and twentieth-century American culture, providing a set of new perspectives on a much-loved and hugely influential director.

Autoren/Hrsg.

Freedman, Jonathan

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft

Inhaltsverzeichnis

1. Cycling through: Hitchcock and the studio system Thomas Schatz; 2. Making the brand Janet Staiger; 3. Hitchcock on location: America, icons, and the place of illusion Sara Blair; 4. Hitchcock, class, and noir Homer Pettey; 5. American civilization and its discontents: the persistence of evil in Hitchcock's Shadow of a Doubt Carl Freedman; 6. Alfred Hitchcock and feminist film theory Susan White; 7. Hitchcock and queer sexuality David Greven; 8. Psycho and psychoanalysis Stephen Tiff; 9. Expedient exaggeration and the scale of Cold War farce in North by Northwest Alan Nadel; 10. Looking up: class, England, and America in The Men Who Knew Too Much Murray Pomerance; 11. Seeing red: the color bleed in Hitchcock Brigitte Peucker; 12. Live nude Hitchcock: final frenzies Mark Goble; 13. The school of Hitchcock: in the wake of the master Jonathan Freedman.

Über Autor(innen)

Freedman, Jonathan
Jonathan Freedman is Marvin Felheim Collegiate Professor of English, American, and Jewish Studies at the University of Michigan. His monographs include Professions of Taste: Henry James, British Aestheticism, and Commodity Culture, The Temple of Culture: Assimilation and Anti-Semitism in Literary Anglo-America, and Klezmer America: Jewishness, Ethnicity, Modernity. Freedman has also coedited with Richard Millington Hitchcock's America as well as anthologies of criticism on Henry James and Oscar Wilde. He has held fellowships from the Guggenheim Foundation and the National Humanities Center.