The Routledge Companion to Philosophy and Music

1. Auflage 2011
ISBN: 978-0-415-48603-3
Verlag: Taylor & Francis Ltd

Buch, Englisch, 680 Seiten, Format (B × H): 171 mm x 234 mm, Gewicht: 1358 g

Reihe: Routledge Philosophy Companions

The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Over fifty entries by an international team of contributors are organised into six clear sections:

- general issues

- emotion

- history

- figures

- kinds of music

- music, philosophy and related disciplines

The Routledge Companion to Philosophy and Music is essential reading for anyone interested in philosophy, music and musicology.

Autoren/Hrsg.

Gracyk, Theodore

Kania, Andrew

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Philosophie Philosophie: Allgemeines, Methoden
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

Part 1: General Issues 1. Definition Andrew Kania 2. Silence, Sound, Noise, and Music Jennifer Judkins 3. Rhythm, Melody, and Harmony Roger Scruton 4. Ontology Ben Caplan & Carl Matheson 5. Medium David Davies 6. Improvisation Lee B. Brown 7. Notation Stephen Davies 8. Performances and Recordings Andrew Kania & Theodore Gracyk 9. Authentic Performance Practice Paul Thom 10. Music and Language Ray Jackendoff 11. Music and Imagination Saam Trivedi 12. Understanding Music Erkki Huovinen 13. Style Jennifer Judkins 14. Aesthetic Properties Rafael de Clercq 15. Value Alan Goldman 16. Evaluating Music Theodore Gracyk 17. Appropriation and Hybridity James O. Young 18. Instrumental Technology Anthony Gritten Part 2: Emotion 19. Expression theories Jenefer Robinson 20. Arousalist Theories Derek Matravers 21. Resemblance theories Saam Trivedi 22. Music’s Arousal of Emotions Malcolm Budd Part 3: History 23. Classical aesthetic traditions of India, China, and the Middle East Stephen Blum & Peter Manuel 24. Antiquity and the Middle Ages Thomas J. Mathiesen 25. The Early Modern Period Jeanette Bicknell 26. Continental Philosophy and Music Tiger Roholt 27. Analytic Philosophy and Music Stephen Davies Part 4: Figures 28. Plato Stephen Halliwell 29. Rousseau Julia Simon 30. Kant Hannah Ginsborg 31. Schopenhauer Alex Neill 32. Nietzsche John M. Carvalho 33. Hanslick Thomas Grey 34. Gurney Malcolm Budd 35. Wagner Thomas Grey 36. Adorno Andy Hamilton Part 5: Kinds of Music 37. Popular Music John A. Fisher 38. Rock Allan F. Moore 39. Jazz Lee B. Brown 40. Song Jeanette Bicknell 41. Opera Paul Thom 42. Music and Motion Pictures Noël Carroll & Margaret Moore 43. Music and Dance Robynn Stilwell 44. Visual Music and Synesthesia Kathleen Higgins Part 6: Music, Philosophy, and Related Disciplines 45. Musicology Justin London 46. Music Theory and Philosophy Judith Lochhead 47. Composition Roger Scruton 48. Analysis Joseph Dubiel 49. Ethnomusicology Peter Manuel 50. Music and Politics James Currie 51. Sociology and Cultural Studies Anthony Kwame Harrison 52. Music and Gender Fred Everett Maus 53. Phenomenology and Music Bruce Ellis Benson 54. Music, Philosophy, and Cognitive Science Diana Raffman 55. Psychology of Music Eric Clarke 56. Music Education Philip Alperson. Index

Über Autor(innen)

Theodore Gracyk is Department Chair and Professor of Philosophy at Minnesota State University Moorhead, USA. He is author ofRhythm and Noise: An Aesthetics of Rock (1996); I Wanna Be Me: Rock Music and the Politics of Identity (2001); Listening to Popular Music (2007); and On Music (Routledge, 2013).
Andrew Kania is Associate Professor of Philosophy at Trinity University in San Antonio, USA. His principal research is in the philosophy of music, literature, and film. He is the editor of Memento (Routledge, 2009).