Berg's Wozzeck

Erscheinungsjahr 2013
ISBN: 978-0-19-534261-1
Verlag: ACADEMIC

Buch, Englisch, 224 Seiten, Format (B × H): 161 mm x 240 mm, Gewicht: 505 g

Reihe: Studies in Musical Genesis, Structure, and Interpretation

Although Berg decided immediately after seeing Büchner's play Woyzeck in May 1914 to set it to music, he did not complete his opera until 1922, with the Berlin premiere taking place in 1925. Berg's Wozzeck traces the composer's slow but determined progress. Using compositional sketches, diaries, notebooks and other archival material, author Patricia Hall reveals the challenges Berg faced--from his induction as a soldier in World War I, to the hyper-inflation of the twenties. In addition to the precise chronology of the opera, the sketches show how Berg derived large-scale form from the Büchner text, and how his compositional style evolved during the nine years in which he composed the opera. A comprehensive visual database on the book's companion website of the extant sketches from seven archives in the United States, Germany and Austria allows the reader to examine, for the first time, Berg's sketches in high resolution color scans.

Zielgruppe

Students, scholars, and composers interested in Berg; twentieth-century music; sketch studies; twentieth-century opera; fans of Berg's music and in particular, Wozzeck.

Autoren/Hrsg.

Hall

Hall, Patricia

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik

Inhaltsverzeichnis

Introduction
Chapter 1: The Path to Wozzeck
Chapter 2: The Inception of Wozzeck: 1914-18
Chapter 3: Wir arme Leut': 1919-1922
Chapter 4: The Critical Years: 1923-25
Chapter 5: Berg's Büchner Text and the Genesis of Form
Chapter 6: Master of the Smallest Link: The Sketches for Large-Scale Form
Chapter 7: "Berg war Analysen freundlich gesinnt": Analysis of Pitch Structure in the Sketches for Wozzeck
Conclusion
Catalogue of sketches for Wozzeck
Bibliography

Über Autor(innen)

Hall, Patricia
Patricia Hall is Associate Professor of Music Theory at the University of California, Santa Barbara. Her books include A View of Berg's 'Lulu' Through the Autograph Sources (1996, winner of the ASCAP Deems-Taylor Award), and A Handbook to Twentieth-Century Musical Sketches (2004, co-edited with Friedemann Sallis). She is the editor and founder of the electronic journal Music and Politics.