Hubbard Little Journeys to the Homes of the Great - Journeys to the Homes of Great Lovers

1. Auflage 2016
ISBN: 978-3-7364-0932-3
Verlag: anboco
Format: EPUB
Kopierschutz: 6 - ePub Watermark

E-Book, Englisch, 500 Seiten

ROBERT LOUIS STEVENSON AND FANNY OSBOURNE JOSIAH AND SARAH WEDGWOOD WILLIAM GODWIN AND MARY WOLLSTONECRAFT DANTE AND BEATRICE JOHN STUART MILL AND HARRIET TAYLOR PARNELL AND KITTY O'SHEA PETRARCH AND LAURA DANTE GABRIEL ROSSETTI AND ELIZABETH ELEANOR SIDDAL BALZAC AND MADAME HANSKA FENELON AND MADAME GUYON FERDINAND LASSALLE AND HELENE VON DONNIGES LORD NELSON AND LADY HAMILTON

Autoren/Hrsg.

Hubbard, Elbert

Leseproben

Little Journeys to the Homes of Great Lovers

by Elbert Hubbard

ROBERT LOUIS STEVENSON AND FANNY OSBOURNE

We thank Thee for this place in which we dwell; for the love that unites us; for the peace accorded us this day; for the hope with which we expect the morrow; for the health, the work, the food, and the bright skies that make our lives delightful; for our friends in all parts of the earth, and our friendly helpers in this foreign isle. Give us courage and gaiety and the quiet mind. Spare to us our friends, soften to us our enemies. Bless us, if it may be, in all our innocent endeavors. If it may not, give us the strength to encounter that which is to come, that we be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and down to the gates of death, loyal and loving one to another.

—Vailima Prayers

ROBERT LOUIS STEVENSON

There is a libel leveled at the Scotch and encouraged, I am very sorry to say, by Chauncey Depew, when he told of approaching the docks in Glasgow and seeing the people on shore convulsed with laughter, and was told that their mirth was the result of one of his jokes told the year before, the point just being perceived.

Bearing on the same line we have the legend that the adage, "He laughs best who laughs last," was the invention of a Scotchman who was endeavoring to explain away a popular failing of his countrymen.

An adage seems to be a statement the reverse of which is true—or not. In all the realm of letters, where can be found anything more delightfully whimsical and deliciously humorous than James Barrie's "Peter Pan"? And as a writer of exquisite humor, as opposed to English wit, that other Scotchman, Robert Louis Stevenson, stands supreme.

To Robert Louis life was altogether too important a matter to be taken seriously. The quality of fine fooling shown in the creation of a mythical character called "John Libbel" remained with Stevenson to the end of his days.

Stevenson never knew the value of money, because he was not brought up to earn money. Very early he was placed on a small allowance, which he found could be augmented by maternal embezzlements and the kindly co-operation of pawnbrokers.

Once on a trip from home with his cousin he found they lacked just five shillings of the required amount to pay their fare. They boarded the train and paid as far as they could. The train stopped at Crewe fifteen minutes for lunch. Lunch is a superfluity if you haven't the money to pay for it—but stealing a ride in Scotland is out of the question. Robert Louis hastily took a pair of new trousers from his valise and ran up the main street of the town anxiously looking for a pawnshop. There at the end of the thoroughfare he saw the three glittering, welcome balls. He entered, out of breath, threw down the trousers and asked for five shillings. "What name?" asked the pawnbroker. "John Libbel," was the reply, given without thought. "How do you spell it?" "Two b's!"

He got the five shillings and hastened back to the station, where his cousin Bob was anxiously awaiting him. Robert Louis did not have to explain that his little run up the street was a financial success—that much was understood. But what pleased him most was that he had discovered a new man, a very important man, John Libbel, the man who made pawnbrokers possible, the universal client of the craft. "You mean patient, not client," interposed Bob.

Then they invented the word libbelian, meaning one with pawnbroker inclinations. Libbelattos meant the children of John Libbel, and so it went.

The boys had an old font of type, and they busied themselves printing cards for John Libbel, giving his name and supposed business and address. These they gave out on the street, slipped under doors, or placed mysteriously in the hands of fussy old gentlemen.

Finally the boys got to ringing doorbells and asking if John Libbel lived within. They sought Libbel at hotels, stopped men on the street and asked them if their name wasn't John Libbel, and when told no, apologized profusely and declared the resemblance most remarkable.

They tied up packages of ashes or sawdust, very neatly labeled, "Compliments of John Libbel," and dropped them on the street. This was later improved on by sealing the package and marking it, "Gold Dust, for Assayer's Office, from John Libbel." These packages would be placed along the street, and the youthful jokers would watch from doorways and see the packages slyly slipped into pockets, or if the finder were honest he would hurry away to the Assayer's Office with his precious find to claim a reward.

The end of this particular kind of fun came when the two boys walked into a shop and asked for John Libbel. The clerk burst out laughing and said, "You are the Stevenson boys who have fooled the town!" Jokes explained cease to be jokes, and the young men sorrowfully admitted that Libbel was dead and should be buried.

Robert Louis was an only son, and alternately was disciplined and then humored, as only sons usually are.

His father was a civil engineer in the employ of the Northern Lights Company, and it was his business to build and inspect lighthouses. At his office used to congregate a motley collection of lighthouse-keepers, retired sea-captains, mates out of a job—and with these sad dogs of the sea little Robert used to make close and confidential friendships.

While he was yet a child he made the trip to Italy with his mother, and brought back from Rome and from Venice sundry crucifixes, tear-bottles and "Saint Josephs," all duly blessed, and these he sold to his companions at so many whacks apiece. That is to say, the purchaser had to pay for the gift by accepting on his bare hand a certain number of whacks with a leather strap. If the recipient winced, he forfeited the present.

The boy was flat-chested and spindle-shanked and used to bank on his physical weakness when lessons were to be evaded. He was two years at the Edinburgh Academy, where he reduced the cutting of lectures and recitations to a system, and substituted Dumas and Scott for more learned men who prepared books for the sole purpose of confounding boys.

As for making an engineer of the young man, the stern, practical father grew utterly discouraged when he saw mathematics shelved for Smollett. Robert was then put to studying law with a worthy barrister.

Law is business, and to suppose that a young man who religiously spent his month's allowance the day it was received, could make a success at the bar shows the vain delusion that often fills the parental head.

Stevenson's essay, "A Defense of Idlers," shows how no time is actually lost, not even that which is idled away. But this is a point that is very hard to explain to ambitious parents.

The traditional throwing overboard of the son the day he is twenty-one, allowing him to sink or swim, survive or perish, did not prevail with the Stevensons. At twenty-two Robert Louis still had his one guinea a month, besides what he could cajole, beg or borrow from his father and mother. He grew to watch the mood of his mother, and has recorded that he never asked favors of his father before dinner.

At twenty-three he sold an essay for two pounds, and referred gaily to himself as "one of the most popular and successful essayists in Great Britain." He was still a child in spirit, dependent upon others for support. He looked like a girl with his big wide-open eyes and long hair. As for society, in the society sense, he abhorred it and would have despised it if he had despised anything. The soft platitudes of people who win distinction by being nothing, doing nothing, and saying nothing except what has been said before, moved him to mocking mirth. From childhood he was a society rebel. He wore his hair long, because society men had theirs cut close.

His short velvet coat, negligee shirt and wide-awake hat were worn for no better reason. His long cloak gave him a look of haunting mystery, and made one think of a stage hero or a robber you read of in books. Motives are mixed, and foolish folks who ask questions about why certain men do certain things, do not know that certain men do certain things because they wish to, and leave to others the explanation of the whyness of the wherefore.

People who always dress, talk and act alike do so for certain reasons well understood, but the man who does differently from the mass is not so easy to analyze and formulate.

The feminine quality in Robert Louis' nature shows itself in that he fled the company of women, and with them held no converse if he could help it. He never wrote a love-story, and once told Crockett that if he ever dared write one it would be just like "The Lilac Sunbonnet."

Yet it will not do to call Stevenson effeminate, even if he was feminine. He had a courage that outmatched his physique. Once in a cafe in France, a Frenchman made the remark that the English were a nation of cowards.

The words had scarcely passed his lips before Robert Louis flung the back of his hand in the Frenchman's face. Friends interposed and cards were passed, but the fire-eating Frenchman did not call for his revenge or apology—much to the relief of...