The Musicality of Narrative Film

2015. Auflage 2015
ISBN: 978-1-349-50432-9
Verlag: Palgrave MacMillan

Buch, Englisch, 220 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 272 g

Reihe: Palgrave Studies in Audio-Visual Culture

The Musicality of Narrative Film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.

Zielgruppe

Research

Autoren/Hrsg.

Kulezic-Wilson, D.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre

Inhaltsverzeichnis

List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's ? 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography

Über Autor(innen)

Danijela Kulezic-Wilson is Lecturer in the School of Music and Theatre at University College Cork, Ireland. She has published in journals such as Music and the Moving Image, Film and Film Culture, The New Soundtrack and Music, Sound and the Moving Image, and has worked as a music editor on documentaries, short films and television.