Nordic Music Videos

1. Auflage 2025
ISBN: 978-1-032-84589-0
Verlag: Taylor & Francis Ltd

Buch, Englisch, 384 Seiten, Format (B × H): 156 mm x 234 mm

Reihe: Ashgate Screen Music Series

Nordic Music Videos fills a gap in the existing research on music videos by bringing together new perspectives on music videos across the Nordic region, from the academic to the practical, the aesthetic to the industrial, while addressing issues of local, transnational and global significance.

The collection offers ground-breaking scholarly research into music videos, including critical readings of music videos, explorations of emerging formats, discussions of music video aesthetics and Nordic music videos in a global context and within popular culture. The book’s chapters are interdisciplinary explorations which recognise the strengths of specific areas of scholarly research, such as music video studies, audiovisual studies, popular music studies, and film/media studies, while nevertheless bridging disciplines and doing justice to the multimodal and intermedial nature of practices. Furthermore, the book includes the viewpoints of industry practitioners through interviews with artists and music video directors and research on industry-related issues.

The book is likely to be of interest to a variety of readers, ranging from researchers interested in popular music and audiovisual expression in the Nordic region to master’s level students and undergraduates. The industry angles and the focus on Nordic cultures will also interest anyone who wants to discover how music videos developed or influence the Nordic societies.

Zielgruppe

Postgraduate and Undergraduate Advanced

Autoren/Hrsg.

Paakkola, Anna-Elena

Pääkkölä, Anna-Elena

Richardson, John

Korsgaard, Mathias

Fachgebiete

• Wirtschaftswissenschaften Wirtschaftssektoren & Branchen Medien-, Informations und Kommunikationswirtschaft Musikindustrie
• Geisteswissenschaften Musikwissenschaft Musikgattungen Rock & Pop, Blues, Soul
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein

Inhaltsverzeichnis

1. List of Figures 2. List of Contributors 3. Introduction: Nordic Sounds, Visions and Imaginings 4. Sigur Rós, Valtari #14, and Audiovisual Stirrings of Icelandicness 5. Self-Disclosure and Masking Strategies in the Music Videos of Björk's Vulnicura 6. Ambiguity in A-ha's "Take on Me": Analyzing Audiovisual Aesthetics through Data Visualization 7. Naked, Natural: Female Body Positivity and Agentic Sexuality in Nordic Pop Music Videos 8. Antiracist Strategies in Hkeem's "Ghettoparasitt" 9. BDSM Aesthetics, Capitalism, and Resistance in the Audiovisual Work of Hatari 10. Sci-fi Hero for a Generation: Finnish Girlhood in a Music Video by Vesala 11. Landscape and Cultural Heritage in Faroese Music Videos 12. Ariosophic Whiteness in Early Norwegian Black Metal Videos 13. Finland-Swedish Music Video: Meaningful Products of a Non-Existent Industry for a Non-Existent market 14. British "Fishing" in the Nordic Music Video Waters 15. Oulu Music Video Festival: Where Local Talent Meets Global Experiences at a Festival in Northern Finland 16. Interview with Rasmus Stolberg of Efterklang 17. Interview with Martin de Thurah 18. Interview with Aurora 19. Killer Music Videos: Nordic Noir Title Sequences and Concentrated "Nordicness" 20. Rock and Roll Films in the Nordic Countries during the 1950s 21. Vernacular Music Video: Danish Music Videos Outside the Music Industry 22. Videography 23. Index

Über Autor(innen)

Anna-Elena Pääkkölä is a Finnish Academy post doc researcher at Åbo Akademi University. She has published in various article collections and journals on music videos and audiovisual expression in English and Finnish on themes including performance, identity, intertextuality, and intersectional feminisms.

Mathias Bonde Korsgaard is an associate professor at Department of Media and Journalism Studies, Aarhus University. He has published extensively on music videos and audiovisual culture, including Music Video After MTV (2017), which discusses music video in the digital era, and Traveling Music Videos (2023, with Tomáš Jirsa), which addresses music video’s travels across media, platforms, and cultural industries.

John Richardson is professor at the University of Turku. He has published extensively on music videos and co-edited two influential handbooks, The Oxford Handbook of New Audiovisual Aesthetics and The Oxford Handbook of Sound and Image in Digital Media.  He is author of An Eye for Music: Popular Music and the Audiovisual Surreal, which discusses new directions in audiovisual expression.