Renganathan / Bhattacharya Rabindranath Tagore's Drama in the Perspective of Indian Theatre

1. Auflage 2020
ISBN: 978-1-78527-396-4
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 196 Seiten, Format (B × H): 153 mm x 229 mm, Gewicht: 454 g

‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections; and his drama on the Indian stage. The book explores both dramatic as well as theatrical traditions in Tagore’s plays by discussing vital issues on Tagore’s drama including gender politics; Tagore’s poetic tradition of dramatic action, time and space; his use of myth humour and satire in the Indian dramatic milieu and discussing Tagore and his contemporaries; modern Indian drama and also the nation and Tagore’s drama. The book also identifies Tagore’s drama of performance art; his stories that inspired many film creations; furthers the view of Tagore’s theatre as the creations of a poet-dramatist, poet-translator, dramatist-producer, actor-singer-choreographer and dramatist-scenographer, all the while not missing the vitality of the dramatist as seen in his intercultural performance/s; his use of environ, mise en scène and the theatrical milieu and last but not the least, the modern productions of Tagore plays.

Autoren/Hrsg.

Renganathan, Mala

Bhattacharya, Arnab

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker

Inhaltsverzeichnis

Editors’ Foreword; Section I: The Dramatic Tradition; 1. Rabindranath Tagore: Imagining Nation, Imagining Theatre, Abhijit Sen; 2. Rabindrik-Nritya, Tagore’s New Technique for Indian Dramatic Art: Discourse and Practice, Deepshikha Ghosh; 3. Place and Space in Tagore’s ‘Raktakarabi’ and ‘Muktadhara’, Chandrava Chakravarty; 4. Tagore’s Artistic Rendering of Spiritual Realism in ‘Dak Ghar’, Papiya Lahiri; 5. Tagore and the Indian Tradition of Hasyarasa: A Study in Tagore’s Shorter Humorous Plays, Arnab Bhattacharya; 6. The Comic Genius of Tagore: Interplay of Humour and Reality in ‘Chirakumar Sabha’, Deboshree Bhattacharjee; Section II: Theatre/Performance Tradition; 7. The Unrealized Theatre of Tagore, Dattatreya Dutt; 8. Encounters and Exchanges: An Intercultural Interrogation of Rabindranath Tagore’s Dramaturgy in ‘Muktadhara’, Sarbani Sen Vengadasalam; 9. Performing Chitrangada: From Tagore to Rituparno Ghosh, Debopriya Bannerjee; 10. Visarjan as Performance: A Road towards Ritual Healing, Seetha Vijaykumar; 11. ‘Valmiki Pratibha’ and Its Afterlife, Sharmila Majumdar; 12. Postmodern Subversion and the Aesthetics of Film Adaptation: The Example of ‘Tasher Desh’, Sneha Kar Chaudhuri; Index.

Über Autor(innen)

Mala Renganathan is Professor and Head, Department of English, North-Eastern Hill University, Shillong, India. Arnab Bhattacharya is a professional editor, author and translator, and also a guest lecturer in the Department of Comparative Literature, Jadavpur University, Kolkata, India.