E-Book, Englisch, 205 Seiten, Format (B × H): 152 mm x 229 mm
Trivedi Imagination, Music, and the Emotions
1. Auflage 2017
ISBN: 978-1-4384-6718-4
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
A Philosophical Study
E-Book, Englisch, 205 Seiten, Format (B × H): 152 mm x 229 mm
ISBN: 978-1-4384-6718-4
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)
Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content.
Autoren/Hrsg.
Weitere Infos & Material
Introduction
I. Emotions, Moods, and Feelings
1. Introduction
2. What are Emotions?
3. Emotions, Beliefs, and Moods
4. Other Views: Martha Nussbaum’s Neo-Stoic Cognitivism
5. Paul Griffiths’s Theory
6. Jesse Prinz’s Somatic View
7. A Concluding Concession
II. Expression Theories and Arousalism
1. Introduction
2. Bruce Vermazen’s Expression Theory
3. Jerrold Levinson’s Persona Theory
4. Jenefer Robinson’s Theory
5. Contra Simple Arousalism
6. Aaron Ridley’s Moderate Arousalism
7. Derek Matravers’s Moderate Arousalism
8. Charles Nussbaum’s View
9. Conclusion
III. Metaphors and Metaphorism
1. Introduction
2. Against Metaphorism (Part 1)
3. Metaphorical Meaning and Paraphraseability
4. Against Metaphorism (Part 2)
5. Metaphors, Resemblance, and Imagination
6. Against Metaphorism (Part 3)
7. Conclusion
IV. Resemblance-Based Theories
1. Introduction
2. Resemblance-Based Views
3. Criticisms
4. Objections and Replies
5. Conclusion
V. Imagination
1. Introduction: Different Kinds of Imaginings
2. Imaginative Perceptions and Perceptual Imaginings
3. Children’s Imaginings
4. Gregory Currie’s View
5. Imagination, Music Perception, and Musical Culture
6. Conclusion
VI. Imaginationism
1. Introduction
2. Against Formalism about Music
3. How We Imagine in Relation to Music
4. Why We Imagine in Relation to Music
5. Musical Arousal
6. Objections and Replies
7. Conclusion
Summary and Conclusion
Notes
References
Index