Walton Cinema's Baroque Flesh

Film, Phenomenology and the Art of Entanglement
1. Auflage 2016
ISBN: 978-90-485-2849-3
Verlag: Amsterdam University Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 237 Seiten

Reihe: Film Culture in Transition

In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema. Combining media archaeological work with art history, phenomenology, and film studies, the book offers close analyses of a range of historic baroque artworks and films, including Caché, Strange Days, the films of Buster Keaton, and many more. Walton pursues previously unexplored connections between film, the baroque, and the body, opening up new avenues of embodied film theory that can make room for structure, signification, and thought, as well as the aesthetics of sensation.

Autoren/Hrsg.

Walton, Saige

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Introduction Chapter 1 Flesh, Cinema and the Baroque: The Aesthetics of Reversibility Chapter 2 Knots of Sensation: Co-Extensive Space and a Cinema of the Passions Chapter 3 Baroque Skin/Semiotics Chapter 4 One Hand Films the Other: Towards a Baroque Haptics Conclusion: Or the Baroque 'Beauty of the Act' Bibliography Filmography Endnotes

Über Autor(innen)

Walton, Saige
Saige Walton is Lecturer in Screen Studies at the University of South Australia, a member of the Hawke Research Institute and a former assistant curator with the Australian Centre for the Moving Image.

Saige Walton is a lecturer in screen studies at the University of South Australia, a member of the Hawke Research Institute, and a former assistant curator with the Australian Centre for the Moving Image.