Fanfare for a City

Music and the Urban Imagination in Haussmann's Paris
1. Auflage 2023
ISBN: 978-0-520-39347-9
Verlag: University of California Press

Buch, Englisch, 264 Seiten, Cloth Over Boards, Format (B × H): 238 mm x 161 mm, Gewicht: 490 g

Fanfare for a City invites us to listen to the sounds of Paris during the Second Empire (1852–1870), a regime that oversaw dramatic social change in the French capital. By exploring the sonic worlds of exhibitions, cafés, streets, and markets, Jacek Blaszkiewicz shows how the city's musical life shaped urban narratives about le nouveau Paris: a metropolis at a crossroads between its classical, Roman past and its capitalist, imperial future. At the heart of the narrative is "Baron" Haussmann, the engineer of imperial urbanism and the inspiration for a range of musical responses to modernity, from the enthusiastic to the nostalgic. Drawing on theoretical approaches from historical musicology, urban sociology, and sound studies to shed light on newly surfaced archival material, Fanfare for a City argues that urbanism was a driving force in how nineteenth-century music was produced, performed, and policed.

Autoren/Hrsg.

Blaszkiewicz, Jacek

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
• Sozialwissenschaften Politikwissenschaft Regierungspolitik
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geowissenschaften Geographie | Raumplanung Regional- & Raumplanung Stadtplanung, Kommunale Planung

Inhaltsverzeichnis

Contents

List of Illustrations and Musical Examples 
Acknowledgments

Introduction 

1 • Baron Haussmann’s Musical Imagination 
2 • Fanfare City: The Expositions universelles 
3 • Urban Planning Lessons from the Café-Concert 
4 • Street Music: Between Regulation and Liberation 
5 • Street Cries: Constructing the Old City 

Epilogue 

Notes 
Bibliography 
Index

Über Autor(innen)

Jacek Blaszkiewicz is Assistant Professor of Music History at Wayne State University. His articles on French music and urban culture have appeared in 19th-Century Music, Cambridge Opera Journal, Current Musicology, Journal of Musicology, and Opera Quarterly.