Opera and Ideology in Prague

Polemics and Practice at the National Theater, 1900-1938
Erscheinungsjahr 2006
ISBN: 978-1-58046-228-0
Verlag: Boydell & Brewer

Buch, Englisch, Band 39, 458 Seiten, Print PDF, Format (B × H): 162 mm x 237 mm, Gewicht: 909 g

Reihe: Eastman Studies in Music

An overview of the history of the Prague musical community from 1900 until the end of democracy in 1938, with attention to polemics about "Czechness" and "modernism."

This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe.
The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvorák and the merits of modernism.After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation.
The 1926 Prague premiere of Berg's opera Wozzeck and the ascendancy of a young groupof avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians.
The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain anaudience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe.

Brian Locke is Assistant Professor of Music History at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck.

Autoren/Hrsg.

Locke, Brian

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikveranstaltungen und -organisationen, Aufführungspraxis
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Opernmusik

Inhaltsverzeichnis

Introduction: Nationalism, Modernism, and the Social Responsibility of Art in Prague
Smetana, Hostinsky, and the Aesthetic Debates of the Nineteenth Century
Legacies, Ideologies, and Responsibilities: The Polemics of the Pre-Independence Years (1900-1918)
"Archetypes Who Live, Rejoice, and Suffer": Czech Opera in the Fin de Siecle
The Pathology of the New Society: Debates in the Early Years of the First Republic (1918-24)
Infinite Melody, Ruthless Polyphone: Czech Modernism in the Early Republic
"A Crisis of Modern Music or Audience?" Changing Attitudes to Cultural and Stylistic Pluralism (1925-30)
"I Have Rent My Soul in Two": Divergent Directions for Czech Opera in the Late 1920s
Heaven on Earth: Socialism, Jazz, and a New Aesthetic Focus (1930-38)
"A Sad Optimism, the Happiness of the Resigned": Extremes of Operatic Expression in the 1930s
The Ideological Debates of Prague Within a European Context

Über Autor(innen)

Locke, Brian
BRIAN LOCKE is assistant professor of music history at Western Illinois University [in Macomb].