Buch, Englisch, 188 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 245 g
Depictions of War in Burns, Moore, and Morris
Buch, Englisch, 188 Seiten, Format (B × H): 152 mm x 229 mm, Gewicht: 245 g
Reihe: Routledge Advances in Film Studies
ISBN: 978-1-138-54837-4
Verlag: Taylor & Francis Ltd (Sales)
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
- Geisteswissenschaften Kunst Kunst, allgemein
Weitere Infos & Material
Part I: The Realist Documentary Tradition in the Postmodern Age Introduction: The Postmodern Attack on Historicism, Nationalism, Rationalism, and Realism 1. Realist Documentary: Who, What, When, Where, Why, and How? 2. The Demise of the Academic Critique of Realism: Phenomenological Approaches in Documentary Studies Scholarship Part II: Audiovisual Historical Narration in the Age of Digitization 3. The Impact of Digital Technology on Documentary Filmmaking 4. From "Nanook of the North" to Social-Networking Websites: Shaping Historical Consciousness in the Digital Age Part III: American Documentary Filmmaking in the Postmodern Age 5. Ken Burns: The Master of Consensus in the Age of Dissent 6. Michael Moore: The Subjective/Objective Dichotomy 7. Errol Morris: ‘Interrotroning’ the Past for the Present Conclusion: The Demise of American Realist Documentary Filmmaking in the Digital Age?