The Walls of Santiago

Social Revolution and Political Aesthetics in Contemporary Chile
1. Auflage 2022
ISBN: 978-1-80073-322-0
Verlag: Berghahn Books

Buch, Englisch, Band 29, 342 Seiten, Format (B × H): 202 mm x 254 mm, Gewicht: 744 g

Reihe: Protest, Culture & Society

Beginning in October 2019, Chile was convulsed by protests and political upheaval, as what began as civil disobedience transformed into a vast resistance movement. Throughout, one of the most striking aspects of the protests was the murals, graffiti, and other political graphics that became ubiquitous in Chilean cities. In this fascinating, beautifully illustrated book, Terri Gordon-Zolov and Eric Zolov—who were in Santiago to witness and document the protests from their very beginnings —offer a vivid catalog of Chilean wall art in all its vitality, subtlety, and inventiveness, along with reflections on its artistic antecedents, the context of global protest movements, and the long shadow cast by Chile’s authoritarian past.

Autoren/Hrsg.

Gordon-Zolov, Terri

Zolov, Eric

Fachgebiete

• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Andere Graphische Kunstformen
• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Geisteswissenschaften Kunst Kunst, allgemein

Inhaltsverzeichnis

Illustrations

List of Maps

Prologue

Acknowledgments

Abbreviations

Maps

Introduction

Part I: Memory Boxes

Chapter 1. The Right to Live in Peace

Chapter 2. It's Not About 30 Pesos, It’s About 30 Years

Part II: Revolutionary Currents

Chapter 3. Evade

Chapter 4. The Revolution will be Feminist or Will Not Be!

Chapter 5. Wallmapu Libre!

Chapter 6. Chile Woke Up

Part III: Aesthetics and Politics

Chapter 7. Poetry is in the Street

Chapter 8. It’s a Match!

Chapter 9. Behind the Scenes

Conclusions

Epilogue: One Year Later

Bibliography

Index

Über Autor(innen)

Gordon-Zolov, Terri
Terri Gordon-Zolov is Associate Professor of Comparative Literature and Associate Dean of Faculty Affairs at The New School in New York City. She is former Director of the Gender Studies Program at The New School and sits on the editorial board of WSQ (Women’s Studies Quarterly). Her work has appeared in Journal of the History of Sexuality, Nottingham French Studies, Latin American Literary Review, The Nation, and NACLA, amongst others. She is currently writing a book on the literature of memory in post-dictatorial Chile.

Zolov, Eric
Eric Zolov is Professor of History at Stony Brook University and was a Fulbright Visiting Professor at the Pontificia Universidad Católica in Santiago in 2019. He is former Senior Editor of The Americas and former Director of Latin American & Caribbean Studies at Stony Brook University. The author of The Last Good Neighbor: Mexico in the Global Sixties (2020) and Refried Elvis: The Rise of the Mexican Counterculture (1999), he has published widely on popular culture, twentieth-century Mexico, and U.S.–Latin American relations.

Terri Gordon-Zolov is Associate Professor of Comparative Literature and Associate Dean of Faculty Affairs at The New School in New York City. She is former Director of the Gender Studies Program at The New School and sits on the editorial board of WSQ (Women’s Studies Quarterly). Her work has appeared in Journal of the History of Sexuality, Nottingham French Studies, Latin American Literary Review, The Nation, and NACLA, amongst others. She is currently writing a book on the literature of memory in post-dictatorial Chile.