Buch, Englisch, 286 Seiten, HC runder Rücken kaschiert, Format (B × H): 153 mm x 216 mm, Gewicht: 508 g
New Perspectives and Practices
Buch, Englisch, 286 Seiten, HC runder Rücken kaschiert, Format (B × H): 153 mm x 216 mm, Gewicht: 508 g
Reihe: Experimental Film and Artists’ Moving Image
ISBN: 978-3-319-73872-7
Verlag: Springer International Publishing
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
1.Introduction, Vicky Smith and Nicky Hamlyn.- 2. Lines and Interruptions in Experimental Animation, Simon Payne.- 3. Performing the Margins of the New, Dirk de Bruyn.- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker.- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith.- 6. Analogon: Of A World Already Animated, Sean Cubitt.- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes.- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn.-9.- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells.- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse.- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan.- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill.- 13. Siting Animation: the Affect of Place, Birgitta Hosea.