Buch, Englisch, 136 Seiten, Format (B × H): 191 mm x 235 mm, Gewicht: 410 g
Buch, Englisch, 136 Seiten, Format (B × H): 191 mm x 235 mm, Gewicht: 410 g
ISBN: 978-1-138-09525-0
Verlag: FOCAL PR
Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does.
This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications.
Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions – this book provides guidance and inspiration to keep practicing, creating, and honing your skills.
Zielgruppe
Further/Vocational Education, General, Professional, Professional Practice & Development, and Undergraduate
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
ACKNOWLEDGEMENTS
FOREWORD
INTRODUCTION
CHAPTER 1: COLOR THEORY
WHY WE SEE COLOR
THE VISIBLE SPECTRUM
CLASSIFYING COLOR
THE COLOR WHEEL
WARM & COOL COLORS
PRIMARY COLORS
SECONDARY COLORS
TERTIARY COLORS
COLOR RELATIONSHIPS
COMPLEMENTARY COLORS
COLOR SCHEMES
THE 3 ATTRIBUTES OF COLOR
HUE, VALUE, & INTENSITY
CATEGORIZING COLORS
MIXING COLOR
TINTS, SHADES, & TONES
LIGHT & DARK COLORS
COLOR CONSTANCY
COLOR SYSTEMS
RYB
CMY
RGB
ADDITIVE & SUBTRACTIVE COLOR
OPTICAL ILLUSIONS IN COLOR
SIMULTANEOUS CONTRAST
OPTICAL MIXTURES
AFTER-IMAGES
IMPRESSIONISM
POINTILLISM
CHAPTER 2: PIGMENTS & DYES
WHAT ARE PIGMENTS & DYES?
PIGMENTS
DYES
EXAMPLES OF PIGMENTS & DYES
PIGMENTS & DYES IN MAKE-UP
CHARACTERISTICS OF PIGMENTS
INORGANIC & ORGANIC PIGMENTS
TRANSPARENCY & OPACITY
PIGMENT VARIATIONS & MIXTURES
CHAPTER 3: FLESH TONES
PIGMENTS IN SKIN
MAKING FLESH TONES FROM PRIMARY PIGMENTS
COLOR BREAKDOWNS
CHAPTER 4: APPLYING COLOR THEORY TO BEAUTY MAKE-UP
MAKE-UP BASE COLORS
UNDERTONES
FOUNDATION MATCHING
COLORED POWDERS
CONCEALERS
COLOR CORRECTION
SHADOWS & HIGHLIGHTS
ADDING COLOR: EYES, CHEEKS & LIPS
EYES
CHEEKS
LIPS
MAKE-UP DESIGN
BREAKING THE RULES
THINGS TO CONSIDER
CHAPTER 5: APPLYING COLOR THEORY TO SPECIAL EFFECTS MAKE-UP
COLORS IN THE BODY
THE CIRCULATORY SYSTEM
BLOOD
BURNS, BRUISES & SCARS
COLD & FROSTBITE
SICKNESS & DEATH
DIRT & MUD
MAKING TATTOOS
TEETH
PAINTING PROSTHETIC APPLIANCES
STIPPLING
INTRINSIC COLOR
WHEN TO ADD BLACK
COLOR INSPIRATION FOR CHARACTER DESIGN
PSYCHOLOGICAL EFFECTS OF COLOR
COLORS IN NATURE
CHAPTER 6: HOW LIGHTING AFFECTS COLOR
LIGHTING YOUR WORKSPACE
NATURAL LIGHT
COLOR TEMPERATURE OF LIGHT
LIGHT BULBS
MAKEUP ROOMS & TRAILERS
COLORED LIGHTING
COLOR MIXING WITH LIGHT
THREE CHARACTERISTICS OF COLORED LIGHT
COLORED GELS
ADDING WARM LIGHT
ADDING COOL LIGHT
LIGHTING FOR THEATER
LIGHTING FOR FILM & TV
3 POINT LIGHTING
EARLY FILM
HD FILM
LIGHTING FOR PHOTOGRAPHY
COLOR GRADING
CONCLUSION
BIBLIOGRAPHY
GLOSSARY
