Dynamics of Distancing in Nigerian Drama. A Functional Approach to Metatheatre

Erscheinungsjahr 2016
ISBN: 978-3-8382-0842-8
Verlag: ibidem

Buch, Englisch, Band 1, 272 Seiten, Paperback, Format (B × H): 148 mm x 210 mm, Gewicht: 359 g

Reihe: Studies in World Literature

Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance.

Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998).

The perspectives of Bertolt Brecht (1936), Thomas J. Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments.

The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance.

Autoren/Hrsg.

Anwar, Nadia

Ringrose, Chris

Wilson, Janet

Weitere Mitwirkende

Wilson, Janet

Ringrose, Chris

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Dramen und Dramatiker
• Geisteswissenschaften Literaturwissenschaft Literaturen sonstiger Sprachräume Afrikanische Literaturen
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik

Über Autor(innen)

Nadia Anwar completed her doctoral studies in Nigerian Drama from the University of Northampton and currently works as an Assistant Professor at the University of Management and Technology, Lahore. Her primary interests include postcolonial and postmodern literatures in general and African drama and theatre in particular.