Buch, Englisch, 228 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 708 g
Buch, Englisch, 228 Seiten, Format (B × H): 174 mm x 246 mm, Gewicht: 708 g
ISBN: 978-1-4724-4921-4
Verlag: Routledge
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Contents: Introduction, Guillaume Faroult, Monica Preti and Christoph Martin Vogtherr; The ’rediscovery’ of 18th-century French painting before La Caze: introductory notes, Monica Preti; The taste for 18th-century painting and the art market between 1830 and 1860 as regards the La Caze collection, Marie-Martine Dubreuil; Watteau and Chardin, ’the two most truly painters of the entire French School’: the rediscovery of Watteau and Chardin in France, between 1820 and 1860, Guillaume Faroult; Collectors of 18th-century French art in London: 1800-1850, Jon Whiteley; ’Elegant depravity and irresponsible gaiety’: the Murray of Henderland Collection and the Scottish taste for French 18th-century art, Frances Fowle; ’Ah! que c’est français!’: Thoré-Bürger and 18th-century French art, Frances Suzman Jowell; Aesthetic, economic and political issues of the exhibition Paintings of the French School from Private Collections of 1860, Pauline Prévost-Marcilhacy; Early exhibitions of French 18th-century art in Berlin and the birth of Watteau research, Christoph Martin Vogtherr; The National Gallery in the 19th century and French 18th-century painting, Humphrey Wine; French 18th-century painting in England and the opening of the Wallace Collection, Stephen Duffy; Exhibitions listing; Bibliography; Index of names.