Gómez-Peña Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008-2020)

1. Auflage 2020
ISBN: 978-0-367-21924-6
Verlag: ROUTLEDGE

Buch, Englisch, 364 Seiten, Format (B × H): 180 mm x 244 mm, Gewicht: 1002 g

Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.

Throughout this collection, Gómez-Peña tackles literature, theory, pedagogy, activism and live art in an eclectic mix that demonstrates how the process of writing is simultaneously a performative exercise in embodied language. The writing stands as a call for action, utilizing what Gómez-Peña terms “imaginary activism” and “radical citizenship”; it invites the reader to embrace a borderless, polygendered, crossgenerational and race-literate ethos. This timely anthology comes straight from the heart of a troubled Trump-era United States and a crime cartel–ridden Mexico. Artists and writers are prompted to engage in radical performance pedagogy within the civic realm and to think of themselves as public intellectuals and “artivists” participating in the great debates of our times.

By encouraging emerging artists and writers to wildly imagine their practice beyond the normative art world and academia, this book is a fundamental read for scholars and students of performance art, political theatre, cultural studies, literature, poetry, activism and race and gender politics.



Performance Art, Live or Time-Based Art, Cultural Studies, Experimental Poetry, Multiculturalism, Social Practice, Chicano/Latino/Border Art & Literature, Relational Aesthetics, Public Art, Artivism, Activism, Psychomagic Ritual, Literary Studies, Anthropology, Sociology, Ethnic & Gender Studies, Queer & Women Studies, Post-Colonial Theory, Techno-Art, Cyborgian Studies, Exoticized & Fetishized Identities, Deconstruction Stereotypes & Binaries, Anti-Essentialism, Anti-Nationalism, Radical Citizenship, Anti-Racism, Race & Gender Literacy

Zielgruppe

General, Professional, Professional Practice & Development, and Undergraduate

Autoren/Hrsg.

Gómez-Peña, Guillermo

Tramposch, Emma

Gómez, Balitrónica

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst
• Geisteswissenschaften Kunst Kunststile Indigene Kunst, Volkskunst
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert Pop Art, Minimalismus
• Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Tanz Andere Darstellende Künste

Inhaltsverzeichnis

Introductory Texts; 1 Performance Art vs. The "Art World"; 2 Highly Personal Writings; 3 Imaginary Activism; 4 Touring in Times of War and/or Performing Against Racism; 5 On Gentrification and Other Forms of Ethnic Cleansing; 6 Identity Politics Gone Wrong; 7 On the Politics of Language; 8 Philosophical Tantrums; 9 Ending of Book

Über Autor(innen)

Guillermo Gómez-Peña is a performance artist, writer, activist, radical pedagogue and artistic director of the performance troupe La Pocha Nostra. Born in Mexico City, he moved to the US in 1978, and since 1995, his two homes have been San Francisco and Mexico City. His performance work and 21 books have contributed to the debates on cultural, generational, and gender diversity, border culture and North-South relations.

Emma Tramposch is Managing Director of interdisciplinary arts organization La Pocha Nostra and Curator of the Living Archives. As a producer, curator, writer and archivist she has been working closely with Guillermo Gómez-Peña since 2007. She is based in San Francisco.

Balitrónica Gómez is a cyber-feminist poet, performance artist, and radical pedagogue. Born and raised on the border of San Diego/Tijuana, she has been touring with Gomez-Peña since 2013 and is a member of his international performance troupe La Pocha Nostra.

Elaine A. Peña is an Associate Professor of American Studies at George Washington University. Her books include Performing Piety: Making Space Sacred with the Virgin of Guadalupe (2011) and ¡Viva George! Celebrating Washington’s Birthday at the U.S.-Mexico Border (2020).

William Stark is a lecturer at the University of Rhode Island. He directed La Pluma for Brown University’s Department of Hispanic Studies, and his articles and essays have appeared in publications such as MLA’s Options for Teaching Series; Contextos: Estudios de Humanidades y Ciencias; and Border-Lines, the Journal of the Latino Research Center at the University of Nevada, Reno.