Buch, Englisch, 302 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 549 g
Buch, Englisch, 302 Seiten, Format (B × H): 148 mm x 210 mm, Gewicht: 549 g
Reihe: Palgrave European Film and Media Studies
ISBN: 978-3-031-39194-1
Verlag: Springer-Verlag GmbH
This book is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Zielgruppe
Research
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
1. Introduction: The Expanding Imagination of Mainstream French Films and Television Series.- Part I New Figures, New Voices.- 2. From ImpersoNation to ImPosture: (Sub)urban Fantasy in Fanny Herrero’s Dix pour cent and Drôle.- 3. Sign Language, Multilingualism and the Postnational Popular Screen: From La Famille Bélier and Marie Heurtin to La Révolution.- 4. Alexandre Aja: A Postnational Genre Auteur?.- Part II Embodying the Postnational: Fans, Filmmakers, Action Spectaculars.- 5. An Alternative to Hollywood? EuropaCorp’s “Blockbusters” and the Global Audience.- 6. The Limits of Luc Besson’s “Made-in-France” Blockbusters: From the Transnational to the Postnational in Valerian and Anna.- 7. Whose Lost Bullet? Netflix, Cultural Politics and the Branding of French Action Cinema.- Part III French Femininity and (Post)Feminism.- 8. Charlotte Rampling Made in France: From a National toa Postnational Identity.- 9. National and Postnational Femininity in Engrenages: The Limits of Empowerment.- 10. Camille Cottin: A Comic Reappropriation of French Femininity in a Globalised, Postfeminist Culture.- Part IV Industry Players: From Product to Brand.- 11. Depuis que le Streaming Existe?: Gaumont and French Cinema in the Streaming Era.- 12. Netflix’s Lupin: Cultural Heritage and Internationalisation in the Age of Global SVoD Platforms.- 13. An Industry Perspective on Dix pour cent and Ten Percent. Interview with Harold Valentin and Christian Baute.