Buch, Englisch, Band 3, 340 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 702 g
Reihe: Women Writers in History
Buch, Englisch, Band 3, 340 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 702 g
Reihe: Women Writers in History
ISBN: 978-90-04-41738-0
Verlag: Brill
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literatursoziologie, Gender Studies
- Geisteswissenschaften Literaturwissenschaft Finnische, Ungarische und Estnische Literaturen
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Lyrik und Dichter
- Geisteswissenschaften Literaturwissenschaft Literaturgeschichte und Literaturkritik
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren
Weitere Infos & Material
Foreword: a Writer in Search of Her Foremothers
emsp;Nadezhda Alexandrova and Suzan van Dijk
Acknowledgements
List of Illustrations
Translator’s Note
1 A Tradition of One’s Own
emsp;1 A Tradition of Forgetting
emsp;2 Canons and Sinking Streams
emsp;3 Women’s Literature
emsp;4 My Own Say
emsp;5 From Room to Room, All the Way to My Own Room
emsp;6 A Portrait Gallery on the Museum’s Postcard
2 Between Love and the Canon: Renée Erdos (1879–1956)
emsp;1 Author’s House: Closed
emsp;2 Private Life – Literary Life
emsp;3 Woman Writer at the Journal Future
emsp;4 The Woman Writer’s Chances
emsp;5 Voices in the Novels
emsp;6 Fracture
emsp;7 Success in Her Time
emsp;8 Contemporary Reviews
emsp;9 The Label of Erotic Lady Author
emsp;10 Female Voice, Female Verse
emsp;11 The Author’s House Is Open
3 In the Canon with Secrets: Ágnes Nemes Nagy (1922–1991) and the Women’s Literary Tradition
emsp;1 The Weeping Poetess
emsp;2 Secret Poems and the Writing of Literary History
emsp;3 The Female Poet and Objective Poetry
emsp;4 Woman’s Room, Woman’s Landscape, Woman’s Body
emsp;5 Self-Liquidation and Recognition
emsp;6 A Woman’s Role
emsp;7 Statue and Mask
emsp;8 Women’s Poetic Tradition
emsp;9 Entering the Room
emsp;10 Epilogue
4 No Canon for Otherness - The Witch: Minka Czóbel (1854–1943)
emsp;1 The Enigmatic Monographer
emsp;2 The Mysterious Bob
emsp;3 Detective Work
emsp;4 Painting a Portrait
emsp;5 Writing between the Lines
emsp;6 Ugly, Ugly, Not Fit for the Canon
emsp;7 Contemporary Views of Minka Czóbel
emsp;8 The Feminist Witch
emsp;9 The Otherness of the Witch
emsp;10 Loss of Control
emsp;11 Perversion, Horror, Revenge, Web
emsp;12 Boundaries, Mirrors
emsp;13 Reading the Witch
5 Mirror, Body, Trauma - a Writer’s Wife at the Edge of the Canon: Ilona Harmos Kosztolányi (1885–1967)
emsp;1 To Big Girls about Little Girls
emsp;2 Widow, Pigeonholed: the Writer’s Wife
emsp;3 Female Reading
emsp;4 Body
emsp;5 Mirror
emsp;6 Women’s Holocaust Memoirs
emsp;7 Trauma: Persecutors and Persecuted
emsp;8 Setting the Stage for Death
emsp;9 Connections: Ilona Harmos, Minka Czóbel, Dezso Kosztolányi, Ágnes Nemes Nagy
emsp;10 The Writing Woman
emsp;11 Sitting Down at the Writing Desk
6 Museum, Cult, Memory - Locked in the Canon: Lesznai (1885–1966)
emsp;1 Memory’s Volunteers
emsp;2 The Well- Known Woman Writer
emsp;3 Museum, Cult, Memory
emsp;4 Dusting Off a Novel
emsp;5 Belatedness and Renewal
emsp;6 Threads and Patterns
emsp;7 Female Figures
emsp;8 A Father’s Blessing
emsp;9 The Novel that Remembers
emsp;10 Nižný Hrušov – Memory’s Tou
Apendix 1 List of Poems and Their Translators
Apendix 2 A List of Titles of Works Referred to in English and in Hungarian
Bibliography
Index