BACHS ORATORIOS

Erscheinungsjahr 2008
ISBN: 978-0-19-536717-1
Verlag: OXFORD UNIV PR

Buch, Englisch, 200 Seiten, Format (B × H): 162 mm x 240 mm, Gewicht: 423 g

The major choral works by Johann Sebastian Bach-the Christmas, Easter, and Ascension Oratorios, and the St. Matthew, St. Mark, and St. John Passions-stand as the most frequently-performed and penetratingly discussed of the genre. Renowned Bach scholar Michael Marissen has assembled a compact, well-designed and ideally useful treatment of Bach's oratorios, providing the full German texts with literal English translations and copious annotations. He provides strict
literal translations of these texts, with citations from the Luther Bible as it was known in Bach's day, along side extensive footnotes that provide information addressing the interests and concerns of today's Bach community. These are the first translations of the librettos from Bach's oratorios to
accommodate the many sense-clarifying allusions to the readings of the Luther Bibles in Bach's day, to explore from historical dictionaries the meanings of previously unnoticed archaic usages, and to contrast relevant findings from modern biblical scholarship. Marissen's insights are particularly helpful, his thoroughness is impressive, and the book will be a longstanding, definitive, and essential reference for choral directors, performers, audience members, and Bach scholars
alike.

Autoren/Hrsg.

Marissen, Michael

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Barock (ca. 1600-1750)
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Partituren, Autographen, Libretti, Liederbücher
• Geisteswissenschaften Musikwissenschaft Musikgattungen Geistliche Musik, Religiöse Musik
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Einzelne Komponisten und Musiker

Über Autor(innen)

Michael Marissen is the Daniel Underhill Professor of Music History, Swarthmore College, and author of Lutheranism, Anti-Judaism, and Bach's St. John Passion (Oxford, 1998) and The Social and Religious Designs of J. S. Bach's Brandenburg Concertos (Princeton, 1995), co-author (with Daniel Melamed) of An Introduction to Bach Studies (Oxford, 1998), and Editor, Creative Responses to Bach from Mozart to Hindemith
(Nebraska, 1998). He is frequently an invited lecturer to major performances of Bach and Handel (e.g. the NY Philharmonic, among others), and speaks about 20+ times per year at these oratorio concerts.