Staneviciute / Staneviciute / Janicka-Slysz Music and Change in the Eastern Baltics Before and After 1989

1. Auflage 2022
ISBN: 978-1-64469-895-2
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 362 Seiten, Web PDF

Reihe: Studies in the History and Sociology of Music

This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics—Lithuania, Latvia, Poland, and Russia—at the end of the Cold War and in the early post-Communist period.

Autoren/Hrsg.

Staneviciute, Ruta

Janicka-Slysz, Malgorzata

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikethnologie
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Musikwissenschaft Musikgattungen Weltmusik

Inhaltsverzeichnis

IntroductionRuta Staneviciute and Malgorzata Janicka-SlyszPart One: Cultural Encounters and Musicians’ Networking1. From Ignorance to Familiarity: Lithuanian and Polish Musical Networking During the Cold War
Ruta Staneviciute, Lithuanian Academy of Music and Theatre2. On Forms of Memory and Freedom in Polish and Lithuanian Music before and after 1989
Malgorzata Janicka-Slysz, Krzysztof Penderecki Academy of Music, Krakow3. The Musical Meetings in Baranów and Sandomierz as Oases of Freedom
Dominika Mical, Krzysztof Penderecki Academy of Music, Krakow4. Rebellion and Identity: A Generational Breakthrough in Polish Music in the 1970s
Kinga Kiwala, Krzysztof Penderecki Academy of Music, KrakowPart Two: The Musical Expression of Cultural and Political Liberation5. The Idea of Freedom in Krzysztof Penderecki’s Works: From Experience to Expression
Iwona Sowinska-Fruhtrunk, Krzysztof Penderecki Academy of Music, Krakow6. Nodes and Turning Points in the Life and Art of Henryk Mikolaj Górecki as a Resonance of Polish Politics and History in the Second Half of the Twentieth Century
Teresa Malecka, Krzysztof Penderecki Academy of Music, Krakow7. The Dimensions of Freedom in Wojciech Marczewski’s Movie Escape from the “Liberty” Cinema and Witold Leszczynski’s Siekierezada (Axiliad): Music Functions in Films
Ewa Czachorowska-Zygor, Krzysztof Penderecki Academy of Music, Krakow8. Lithuanian Music in Transition: Independent Festivals of the 1980s and 1990s
Vita Gruodyte, Lithuanian Academy of Music and TheatrePart Three: Music and Politics before and after the Fall9. Disco Culture and the Ritual Journey in the Soviet 1980s
Kevin C. Karnes, Emory University10. The Ganelin Trio, Rova Saxophone Quartet, and US-Soviet Cultural Exchanges in the 1980s
Peter J. Schmelz, Arizona State University11. On the Other Side of Freedom: The Band Milosc and the Polish Yass Scene
Andrzej Madro, Krzysztof Penderecki Academy of Music, Krakow12. Critics’ Choice: New Russian Music Criticism and Leonid Desyatnikov
Olga Manulkina, Saint Petersburg State UniversityEditors and Contributors
Index of Names

Über Autor(innen)

Malgorzata Janicka-Slysz is a music theorist, head of the Department of Theory and Interpretation of Musical Work at Krzysztof Penderecki Academy of Music, Krakow, a member of the editorial board of the journal Theory of Music, and professor at the Academy of Music, Krakow. She is the author of Vytautas Bacevicius i jego idee muzyki kosmicznej (2001) and Poetyka muzyczna Karola Szymanowskiego. Studia i interpretacje (2013). Ruta Staneviciute is a musicologist, director of the Research Centre at the Lithuanian Academy of Music and Theatre, and a chief-editor of the journal Lithuanian Musicology. She is the author of The Figures of Modernity: The International Society for Contemporary Music and the Spread of Musical Modernism in Lithuania (VDA, 2015), and the co-author of Nylon Curtain: Cold War, International Exchange and Lithuanian Music (LMTA, 2018), and Sound Utopias: Lithuanian Music Modernization in Context (2021).